All John Constable Oil Paintings
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John Constable Cllouds 5 September 1822 oil painting


Cllouds 5 September 1822
Painting ID::  33141 		Artist: John Constable
Painting: Cllouds 5 September 1822
Introduction: mk82 oil on paper laid on cardboard 37x49
   
   
     

 

 

 
 

 

 

 
John Constable Cloud Study 6September 1822 oil painting


Cloud Study 6September 1822
Painting ID::  33142 		Artist: John Constable
Painting: Cloud Study 6September 1822
Introduction: mk82 oil on paper 24.4x30.7
   
   
     

 

 

 
 

 

 

 
John Constable Hampstead Heath looking to Harrwo oil painting


Hampstead Heath looking to Harrwo
Painting ID::  33143 		Artist: John Constable
Painting: Hampstead Heath looking to Harrwo
Introduction: mk82 c.1821-22 oil on paper laid on canvas 29.5x48.3
   
   
     

 

 

 
 

 

 

 
John Constable West End Field,Hampstead,noon oil painting


West End Field,Hampstead,noon
Painting ID::  33144 		Artist: John Constable
Painting: West End Field,Hampstead,noon
Introduction: mk82 c.1821-22 oil on canvas 33.2x52.4cm
   
   
     

 

 

 
 

 

 

 
John Constable Branch Hill Pond,Hampstead oil painting


Branch Hill Pond,Hampstead
Painting ID::  33145 		Artist: John Constable
Painting: Branch Hill Pond,Hampstead
Introduction: mk82 c.1821-22 oil on canvas 24.5x39.4
   
   
     

 

 

 
 

 

 

 
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     Check All John Constable's Paintings Here!
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy . Related Artists to John Constable : | Jean-Victor Schnetz | Jean Baptiste Wicar | Mednyanszky, Laszlo | Antropov, Aleksei | Luks, George |

 

 

 
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